To simplify it, we figured out how many different things we should build and how much variation there should be. "We were able to do that relatively easily, but Andrew and Ralph felt it was way too busy and distracting. "Our group started with a realistic approach to the reef," Eisenmann explains.
Their challenge was to create a caricatured version of the coral reef that would suit the purposes of the story. They were responsible for the film's rich and vibrant opening scenes and building the anemone home of Marlin and Nemo. Here's a look at what it took to bring several of the movie's environments to life: The Coral Reefīefore drawing a single frame of film, David Eisenmann and his team of animators on the Reef Unit spent a year researching corals and sponges. There was more interdependency between the various departments than ever before, and we often went back and forth to make sure the lighting and other components looked just right."
#FINDING NEMO FISH NET MOVIE#
On average, there are more things going on per frame in this movie than we've done before by a pretty significant amount. Jacob explains, "This film is far more complicated than 'Monsters, Inc.' in that almost every shot involves some kind of simulation program or simulated movement. Add in bubbles, ripples, drips, and rings, and it's a very complicated environment. Early on, Jacob and Pixar's global technical wizards identified five key components that would suggest an underwater environment - lighting (patterns of caustic lighting that dance on the ocean floor and fog beams that shine from the surface), particulate matter (the ever-present debris that appears in water), surge and swell (the constant movement that drives plant and aquatic life), murk (how the color of light filters out over distance and the distance appears dark), and reflections and refractions. Supervising technical director Oren Jacob led an effort to capture the look and feel of an organic coral reef and a vast ocean that would respond in a realistic way to the action of the characters.
#FINDING NEMO FISH NET FULL#
Extensive research and development was done to study water properties, and new tools were created to provide the full range of possibilities required by the script. In order to tell the story in "Finding Nemo" convincingly, the technical team had to discover new and improved ways for animating underwater imagery in the computer. All Rights Reserved "Nemo" animators created a fanciful, detailed watery world for their characters.
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